The camera notices different things
In person, your eye moves around and edits distractions out. A photograph flattens cables, cushions, books and furniture into one frame. We simplify, then return enough character for the room to feel inhabited.
- ↗Clear the main sight line
- ↗Reduce small objects
- ↗Balance colour across the frame
- ↗Keep surfaces readable
High-impact changes
Often the high-impact change is turning one chair, removing half the shelf or letting a curtain fall properly. If you notice the styling before the space, we have gone too far.
The best styling helps buyers see the space, not the stylist.
Maintain continuity through the shoot
Photo and film see the same room from different directions. We track moved objects so a vase does not teleport across the campaign, and so the home is returned properly when the cameras leave.
- ↗Shared styling reference
- ↗Box for removed objects
- ↗Continuity photos
- ↗Final room reset